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Sister Irene cautiously enters a chamber the place hooded nuns whisper their passages, all wanting downward, no faces seen. The digital camera pans from Sister Irene’s stunned face to the again of her head, so we will see she’s taking a look at an enormous crucifix on the altar the place a priest would lead mass. As she appears to be like at Jesus’ corpse nailed to a picket cross, a shadow rises behind the statue, till it towers over the ornamental son of God. If the factor had eyes, it might be staring immediately at Sister Irene.
The shadow turns and begins strolling alongside the abbey’s chilly, stony partitions — no human determine in sight. Sister Irene watches because the define strolls over sculpted angels and previous the pews, with a determine resembling a nun’s gradual procession march. The shadow retains shifting, then disappears within the pitch-blackness of open entryways at the hours of darkness — solely to reappear in a mirror with Sister Irene.
As she watches the determine stroll into the mirrored glass, it stops in a spot that must be proper behind Sister Irene. The digital camera swings round, as does Sister Irene, hoping to catch no matter has made its presence identified. In fact, there’s nothing. The mirror is now out of sight and to our backs — the miniature cathedral is now empty. A purple gentle shines behind the crucifix that catches Sister Irene’s eye, and that is when it occurs.
A hand reaches out and grabs Sister Irene’s shoulder, and the digital camera instantly reveals that “The Nun” and different ghostly minions are within the mirror itself, screaming again on the terrified sister. A demonic howl overpowers any music or sound results, after which the mirror bursts into tiny shards. Sister Irene panics, and the crucifix falls in a clatter. Valak is toying with Sister Irene, utilizing shadowplay to confidently assert its maintain over the Vatican agent. It is a correct gradual burn that kicks its leap scare on the good second, main viewers into an evident and efficient lure.
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